大理大学学报

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符号差异视域下云南舞台民族民间舞的解构与建构

黄海   

  1. 云南民族大学艺术学院
  • 收稿日期:2019-07-26 修回日期:2019-11-11 出版日期:2020-01-15 发布日期:2020-01-15
  • 作者简介:黄海,讲师,主要从事舞蹈文化人类学、云南民族民间舞蹈和舞蹈教育研究。
  • 基金资助:
    云南省教育厅科学研究基金项目(2020J0350)

Deconstruction and Construction of Stage Folk Dance in Yunnan from#br# the Perspective of Symbol Difference

Huang Hai   

  1. College of Art, Yunnan Minzu University
  • Received:2019-07-26 Revised:2019-11-11 Online:2020-01-15 Published:2020-01-15

摘要: 云南民族民间舞蹈资源丰富,在社会大众对民族文化关注及保护观念日益增强的当代,云南民族民间舞蹈通过各种渠
道渗入大众视野,然而,在创作、展演等舞台化艺术表达中,如何将这些散发着璀璨光芒的民间瑰宝真正转化为可利用资源,以
达到民族文化的传播效能,这需要在尊重符号差异系统之下,对云南民族民间舞蹈中带有民族“个性符号”的素材进行能够体
现民族文化“共性”的建构,以达到符号因素间意图意义——文本意义——解释意义三者相统一的作用及价值,才能够达到文
化传播及大众认同之审美平衡。

关键词: 符号差异, 云南舞台民族民间舞, 解构, 建构

Abstract: Yunnan folk dance is rich in resources. In the contemporary era when the public's attention to the national culture and the
concept of protection is increasing, Yunnan folk dance has got into the public's vision through various channels. However, in the stage
artistic expression such as creation and performance, in order to truly transform these dazzling folk gems into usable resources to
achieve an effective spread of national culture, we need to make the materials with national "personality symbols" in Yunnan folk
dances reflect the "commonality" of national culture, so as to realize the unified function and value of intentional meaning-textual
meaning-explanatory meaning among symbolic factors, and achieve a aesthetic balance of cultural communication and public identity.

Key words: symbol differentiation, Yunnan stage folk dance, deconstruct, construct